I was lucky enough to see the Abstract Expressionism Exhibition that was on at The Royal Academy of Arts last year where I got to see master paintings by some of my favourite artists from The New York school such as Franz Kline and Mark Rothko. It was incredible seeing a collection of Franz Kline’s work in person and then being able to see a wall of Clyfford Still paintings in the next room – the exhibition was immense having such a huge amount of significant work all in one gallery.
Future posts here we go! I am usually not this organised when it comes to blog posts but I’ll try for a month and see how it goes. I have a huge stack of artists that I want to ‘collect’ and share with you on my blog, hopefully to inspire and give you something interesting to look at that you haven’t seen before. Below are some snippet images to give you an idea about the artists I will post about next so stay tuned.
If this is the first time you have come across my little blog I like to talk about all sorts of artists and not just sticking to one discipline or style.
Starting out with spontaneous mark and colour forms, with little expectation of the end result, her paintings reveal themselves through the process of painting; Betsy Walton creates as she paints. Walton’s work is as expressionistic as it is surreal, from the titles she gives each piece to the half drawn figures and cut out geometric pieces of gold leaf overlapping washes of paint. Her work attempts to reach the sublime, delving into the relationship between objects and people and the sense of mystery behind our everyday encounters. Needless to say her colour palettes are beautifully dream-like, evoking feelings of transcendence to the viewer.
‘We can experience the sublime in the same room where we fold the laundry, and perhaps at the same time.’ – Betsy Walton.
When needing inspiration I often look at one of my favourite art mediums and go from there. Watercolour painting is a versatile and flexible medium that allows artists to create their own colour opacity. It’s a fantastic practice in that it’s unpredictable and can be experimented with in so many ways, from technique to the materials used, to how much water is left on the brush. I always feel overwhelmed painting in watercolours because there are endless possibilities in what you can achieve with them.
I recently went to The Royal Academy of Arts block buster Exhibition, Painting the Modern Garden: Monet to Matisse. It is worth seeing if you are interested in the Impressionist artists or if you just love floral paintings as it’s full of them. The Exhibition covers the main Impressionist artists, Post-Impressionist and Avant-Garde artists of the early 20th century, thematising around the modern garden. Monet’s masterpieces being the highlight including his infamous Water Lilies painting, The Agapanthus Triptych. This piece finalizes his career brilliantly – got me a bit teary as they are overwhelmingly beautiful and reflective of Monet’s mental state at the end of his life.
An impressionist artist who’s work really grabbed my attention in the Exhibition was Emil Nolde. He was a German-Danish painter who supported Nazi Germany from the 1920s and believed that Expressionism was a distinctively Germanic style. Hitler considered this art movement ‘degenerative’ and banned artists like Nolde from painting and removed his work from public display. He secretly produced a massive series of water colour paintings that are known as the ‘unpainted pictures’. Nolde painted portraits, landscapes and flowers as his subjects. His brush strokes are vigorous and textural producing expressionistic, luminous paintings – often with sombre undertones, fascinating to see up close.